Hello.
Thank you for all your moving reactions to Thank You.
If you haven’t listened yet, or want to listen again, click this way…
I’ll be honest, I’m in a bit of a fluster. This is going to be a substandard substack. With 10 or so days left until the Joni Mitchell tribute I’m curating at The Roundhouse my mind is spinning with tech specs and running orders and choir rehearsals and so many details and people and emails and I should probably practice too. And what the hell am I going to wear when everything I try to order from Vinted arrives too tiny or too huge.
Also the world. Is just a bit too much isn’t it. Sometimes it feels important to go on, to write, to make music, to share it, to keep spirits up, despite the escalating tragedies with no end. Other times everything seems so completely trivial in face of everything else. Like does anyone really need to read my earnest studio diary from this very day 10 years ago when I was recording my album The Onion in Brooklyn and there was a huge summer storm and we put a mic to the window to record the thunder and rain? Nah.
For this cop-out April newsletter I will leave the music to Milo. And I’ll be back in May, with a full report on the importance of coming together to sing Joni Mitchell songs, especially when you’re reading the news and it sure looks bad, they won’t give peace a chance, that was just a dream some of us had…
I share your thoughts and concerns. What better way of dealing with them than through music? I'm ever your admirer.
Also the world. Is just a bit too much isn’t it.
That’s why we need minstrels and artists. Good luck with the show. I’m sure it will be special.
If you want take it easy next month ;play the Joni show. It’s spring. The world will still be there.
I looked by up California on Wikipedia;sounds like a sweet place.